62. The wainscoting or dado should be the same as the top border or frieze, but of a darker tone. The intermixture of white or black is always permissible; thus a paper as a side-wall might have as its frieze the complementary coloring with mo... Read more of Wall Proportions at Pigment.caInformational Site Network Informational
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Absolute Time
Analogies On The Physical Plane
Degrees Of Clairvoyant Vision
Future Time Clairvoyance
Involuntary Clairvoyance
Methods Of Development
Microscopic Vision
Other Historical Instances
Past Time Clairvoyance
Present Clairvoyance
Reading The Light Waves
Seeing What Has Not Yet Happened
Sensing The Higher Vibrations
Simple Prevision
Space Clairvoyance
The Akashic Plane
The Akashic Records
The Auric Colors
The Beginning Of The Prophecy
The Dinner Of The Elect
The Eternal Now
The Fall Of The Great
The Fate Of Royalty
The Fulfillment Of The Prophecy
The Human Aura
The Illuminatus
The Memory Of Nature
The Mystery Of Seeing The Past
The Nature Of Time
The Occult Hypothesis
The Oriental Teaching
The Prana Aura
The Prophecy Of Cazotte
The Psychic Telescope
The Shadow Of The Guillotine
The X-ray Sense
Thought Forms
Thousand-year-old Light
Time Clairvoyance
Viewing Distant Scenes

The Akashic Records

The clairvoyant whose powers of Past Time Clairvoyance have been
developed sufficiently, and who has mastered the art of concentration of
his psychic attention, manages to come into more or less perfect en
rapport condition contact with these Akashic Records, and is thus
enabled to read from them what he sees there. To him it actually seems
as if he were seeing the actions of things in present existence, and
many excellent clairvoyants are ignorant of the existence of the Akashic
Records, though they habitually read the contents thereof; these
clairvoyants know simply that they "see" these past happenings--they
have not the faintest conception of how they are able to see them. This
is no more strange than would be the case of a man who witnessed a
moving picture for the first time, and who was ignorant of the mechanism
involved in the showing of the picture, the existence of the film,
etc.,--such a man would simply know that he "saw" the things, and he
might even believe that he was gazing upon an actual scene in real life.

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